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Traditional Scroll Mounting

SCROLL MOUNTING :

Paintings on rice paper can be mounted onto silk scrolls using either the wet mount method or dry mount method.

Wet mounting is all done by hand the traditional way. It dates back to the Han dynasty (Around 200 B.C.).  It is a dying art which requires superb skills, years of experience. Dry mounting is the shortcut and cheap way which uses silicon adhesive.

Differences between wet and dry mounting:

Traditional wet mounting method is all done by hand and uses flour paste as the glue. It embodies the spirit of Chinese art, and requires superb workmanship. On the other hand, dry mounting uses silicon paper as the adhesive and uses either a mounting machine or a hot iron during the process.

Wet mounted paintings can be remounted in the future, but not so with dry mounted artwork. Wet mount is also more environmentally friend than dry mount.

Very often folds and creases appear in dry mounted scrolls due to carelessness or machine malfunction, and these errors cannot be corrected and the paintings are thus ruined.

All famous masters’ works and expensive paintings are wet mounted.

Different styles:

The most common forms are  vertical wall scroll and  horizontal wall scroll. Vertical scrolls are more convenient for hanging, but the horizontal scrolls are more suitable for sumi-e with a western feel.

There are different hanging scroll styles:

  • 一色裱, one color mount
  • 二色裱, two color mount
  • 三色裱, three color mount
  • 宣和裱 or 宋式裱,, Xuanhe style/ Song style
  • 中堂裱, large hall painting style

The picture below shows the three colour mount (三色裱)
Three Colour Mount of Dragon Calligraphy by Tai Oi Yee

The styles below are Xuanhe style/ Sung style done with decorative ribbons known as wind ribbons 風帶 or scare swallows 驚燕. The ribbons used to be free flowing in the Sung Dynasty (between 960 and 1279), and the purpose was to scare the swallows from resting at the top of the painting and soiling it.

The style has later evolved to fixed ribbons for decorative purposes as shown below. The one on the right is Xuah He style wit the wind ribbons.

scrolls

 

I have been getting enquiries from different countries about scroll mounters that I can recommend. I am based in Toronto, so I cannot really provide any, but I have found these on the internet if the info is helpful to you:

If you have a precious Chinese scroll painting that needs restoration, here are some resources I have found online:

http://www.asianartrestoration.com/
http://www.nationalmuseum.cn/en/survey/introduction/index.jsp
http://www.umma.umich.edu/collections/conservation_lab/eastasian.html

blogTaiOiYee

Master RuLin-Ni discussing traditional Chinese scroll mounting

Traditional Wet Mounting of Chinese paintings on rice paper is almost a lost art now. I was lucky enough to have taken lessons here in Toronto from Master Shen from Beijing, but I haven’t had much time to practise due to my busy schedule. I should go back for more lessons to hone my skills.

Traditional wet mounting embodies the spirit of Chinese art, and requires superb workmanship. Wet mounted paintings can be remounted in the future, but not so with dry mounted artwork.  Wet mount is also more environmentally friend than dry mount.

I have found the following video series by Master RuLin Ni 倪汝霖 who is very famous. He discusses and demonstrates scroll mounting in Mandarin, but you can see him in action even if you don’t understand Chinese. After you see the videos, you will realize why it is so difficult, and why it is becoming a lost art. It takes so many days to just mount one painting. That’s why most of the mounting you see nowadays are dry mounted with silicone backing paper, and many of them cheaply machine mounted.

國畫大師倪汝霖老先生談國畫裱褙

This is a series of videos with Master RuLin-Ni talking about Chinese scroll mounting.

Part 1

Part 2

Note: Master RuLin Ni is a very famous Chinese painting artist, especially for his cat paintings. You can see some of his paintings here: http://baike.baidu.com/view/3595182.htm

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

 

I have been getting enquiries from different countries about scroll mounters that I can recommend. I am based in Toronto, so I cannot really provide any, but I have found these on the internet if the info is helpful to you:

If you have a precious Chinese scroll painting that needs restoration, here are some resources I have found online:

http://www.asianartrestoration.com/
http://www.nationalmuseum.cn/en/survey/introduction/index.jsp
http://www.umma.umich.edu/collections/conservation_lab/eastasian.html

 

 

blogTaiOiYee

Scroll Mounting video

Scroll mounting the traditional way is very difficult.  I still haven’t mastered it. Practice makes perfect. In the meantime, here are a couple very useful videos. This is traditional wet mounting.  It embodies the spirit of Chinese art, and requires superb workmanship. Wet mounted paintings can be remounted in the future, but not so with dry mounted artwork.  Wet mount is also more environmentally friend than dry mount.

I have been getting enquiries from different countries about scroll mounters that I can recommend. I am based in Toronto, so I cannot really provide any, but I have found these on the internet if the info is helpful to you:

If you have a precious Chinese scroll painting that needs restoration, here are some resources I have found online:

http://www.asianartrestoration.com/
http://www.nationalmuseum.cn/en/survey/introduction/index.jsp
http://www.umma.umich.edu/collections/conservation_lab/eastasian.html

 

 

blogTaiOiYee

Chinese Scroll Mounting

Who Cares About The Storm Above by Tai Oi Yee

Who Cares About The Storm Above by Tai Oi Yee

Paintings on rice paper can be mounted onto scrolls using either the dry mount method or wet mount method.

Dry mounting is the easy way using silicon release paper whereas wet mounting is the old school way, all done by hand, including making the paste from flour.  Of course I prefer the traditional wet mounting method. It embodies the spirit of Chinese art, and requires superb workmanship. Wet mounted paintings can be remounted in the future, but not so with dry mounted artwork.  Wet mount is also more environmentally friend than dry mount.

The most common forms are  vertical wall scroll (條幅) and  horizontal wall scroll (橫批). I find the vertical scrolls are more convenient for hanging, but the horizontal scrolls are more suitable for sumi-e with a western feel.

I have finally found an old school traditional scroll mounting master here in Toronto.  I am learning from Master Shen.  I will finally be able to mount my own paintings!

“What’s Up” by Tai Oi Yee

I will be posting what I have learned for those who are interested.  In the meantime,  I have found the following resources  which are very helpful:

OLD SCHOOL WET MOUNTING:

Articles by Master Su (original text in Chinese, use Google Translate to read it in English) :

 Master Su's video

MODERN DRY MOUNTING:

Blue Heron’s Video on dry mounting using silicon release paper

dry

Another video on dry mounting rice paper

More picture guide on silicon release paper

I have been getting enquiries from different countries about scroll mounters that I can recommend. I am based in Toronto, so I cannot really provide any, but I have found these on the internet if the info is helpful to you:

If you have a precious Chinese scroll painting that needs restoration, here are some resources I have found online:

 

http://www.asianartrestoration.com/
http://www.nationalmuseum.cn/en/survey/introduction/index.jsp
http://www.umma.umich.edu/collections/conservation_lab/eastasian.html

blogTaiOiYee